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Through this peculiar evening, Vibeke will have to face the results of her questionable behaviour and Jon will come across his own fears and isolation.

The two characters consist the driving force of the story. Vibeke is a bookworm, a woman who wants to succeed in her career, to look beautiful, to fall in love and have some time to herself.

She is a modern mother, but more often than not, she comes across as vain, almost narcissistic, cold and clueless and not quite the kind of mother that a nine year old child needs.

Jon is a boy with a tender heart and an almost terrifying imagination, not unlike his mother. The two share the most unbreakable bond God has created, the one between a mother and her child.

However, the relationship depicted in this novel is troubled and troubling. Vibeke and Jon trust strangers too easily and their minds create images, expectations and assumptions that have little or no connection to reality.

The two other characters are Tom, a young man working in a funfair, and an unnamed driver whom Jon meets on his way home.

There are beautiful scenes from the daily life of the two characters. You can feel the warmth of their home, smell the cooked food, see the cozy corners.

You can see the dimly lit streets of the neighbourhood, hear the crunching snow, smell the freezing wind and wander in the centre of the town, visit the library and the funfair.

The end is striking. It will leave you speechless, the way a well-written novella has to do. Or Denmark, or Sweden and Finland.

Yes, it is dark, sad, it cuts like a knife and freezes the blood, and yet, in all this darkness, there is a kind of pure beauty.

My reviews can also be found on https: View all 31 comments. Hanne Orstavik is a well known, prize winning Norwegian author and I thought this book would fit the bill when I was looking for something different to read.

What I found was a hauntingly sad story of a single mother, Vibeke, and her eight year old son, Jon and the separate lives they live together.

The structure or rather lack of - what Jon is thinking and doing interspersed with paragr Hanne Orstavik is a well known, prize winning Norwegian author and I thought this book would fit the bill when I was looking for something different to read.

The structure or rather lack of - what Jon is thinking and doing interspersed with paragraphs of what his mother Vibeke is thinking and doing and their respective conversations with the people they are with - is one you have to pay attention to.

This makes for such an introspective and intimate book. Each of them meeting with strangers that had me scared for and questioning both of them.

I did not connect with Vibke at all except that she is a big reader. Jon is only eight and all I could feel for him was heartbreak. I received an advanced copy of this book from Archipelago through NetGalley.

View all 41 comments. Dec 06, Elyse Walters rated it it was amazing. Kindle for me , I had already slept from about 7pm to 1am- I stayed awake under the covers of my bed thinking about this novel for a good hour before falling back to sleep for another few hours.

This is my first read by author Scandinavian author Hanne Orstavik. Hopefully not my last! I was examining this story from many points of views while being completely captivated by the content presented.

The story itself takes place during the middle of the night - just as my reading was. A few times my own imagination raced ahead and got the better of me.

There was one scene where I was scared - really scared — and it was my imagination Jon is 8 years old.

He will be 9 tomorrow. He and his mother, Vibeke, live in a small town in northern Norway. They are new to the town, having just recently moved in.

A traveling carnival has come to town. Vibeke was on her way to the library - but they were closed - and ends at the carnival.

Jon also leaves the house to sell lottery tickets for his sports club. We follow both of them during the night as they take very different journeys.

We meet the people each of come into contact with. Jon is sure his mother is at home baking a cake for his birthday During a dinner scene — before their separate journeys begin — we see the inside thoughts of Vibeke: Yet underneath the surface we feel so many emotions I thought it was gorgeously written View all 14 comments.

My full review, as well as my other thoughts on reading, can be found on my blog. Set in a village on the outskirts of northern Norway, Love tracks the lonesome paths a mother and her young son take over the course of a single winter's night.

The novella opens with eight-year-old Jon and his single mother Vibeke together in their house, but a series of misunderstandings soon separates the pair, with each embarking on a different journey just as the sun starts to set.

Over the course of the night, My full review, as well as my other thoughts on reading, can be found on my blog. Over the course of the night, both mother and son encounter strange and ominous figures, misinterpret their surroundings, and yearn for affection.

The similarity of the two desolate odysseys, though, only accentuates their one glaring difference: Jon obsesses over where Vibeke might be, whereas Vibeke neither thinks of Jon nor realizes that he isn't still at their house.

Against the backdrop of Vibeke's neglect, the story becomes increasingly sinister, and Love ends on a note of despair. View all 5 comments.

For such a short work, this is a challenge to read. The story of a mother and son in the coldest time of year in the coldest region of Norway, the narrative moves between Vibeke and Jon, even though they are not in the same location as the story goes on.

My reading process went something like read two-three paragraphs, then backtrack one to pick up the alternate character to figure out what is going on.

I'm not sure I always understood where I was. Is this translation or in the original work? Th For such a short work, this is a challenge to read.

There are elements of deep foreboding and danger, but because of the strange unique? For instance at one point I'm pretty sure Jon is in the trailer?

And he gets in the car with a stranger. Part of my other confusion is the beginning of the novel, when Jon is at home waiting for Vibeke to come home, I read him as an older man, possibly her father or someone she worked for as a nurse or aide, that I was pretty confused when I understood him to be eight.

There's a night circus does this really happen in the cold or was this another imagined thing? She also ends up in possible danger, but her attitude doesn't make it seem so.

She is smoking, and smiling, and seems up for whatever, forgetting that she has a child at home. So is this night a binging of singleness amidst the stress of parenting a child alone?

Or is it something else entirely. So I end the book completely unsure of what I read or what I got out of it. I didn't mind having to work hard, but I am not sure what the answers are.

Thanks to the publisher, the marvelous Archipelago Press, for providing early access to this title through Edelweiss. It is available 13 February Yet it is to a bleak little village in this region that Vibeke moves with her eight-year-old son, Jon, in order to make a fresh start.

The story begins as the circus arrives, on the eve of his birthday. Both mother and son are intense, cerebral individuals, who lose themselves in daydreams, and struggle to communicate their thoughts and feelings to others - she chain-smokes, he continually blinks.

The greatest void, however, is between the two of them, and they seem to view each other from opposite sides of a wide crevasse. There is love adoration on his part , but it is ill-defined, unfocused.

She wishes she could read all the time, sitting in bed with the duvet pulled up, with coffee, lots of cigarettes, and a warm nightdress on.

It is an existential novel, with narratives drifting back and forth between Vibeke and Jon - they all but merge when either one or both of them become anxious.

Has anything significant been lost in translation? I think there probably has, but as an inveterate unilingual English-speaker I simply cannot judge.

Nevertheless, I am able to say with certainty that Love is an intelligent, thoughtful, if melancholy tale, which demonstrates what can happen if we become too internalised and fail to be mindful of those we love.

View all 4 comments. I decided to read this book because I knew it took place in winter and while we still have snow on the ground here in New England I figured I better get to it.

Spring might actually arrive by May! This is such a strange book. They have just recently moved to a small northern town in Norway.

Jon adores his mother and Vibeke seems a bit distant and cold when it comes to her son. She wants to spend her time reading, sh I decided to read this book because I knew it took place in winter and while we still have snow on the ground here in New England I figured I better get to it.

She wants to spend her time reading, shopping, working, fantasizing of men, and making sure she always looks beautiful. She doesn't really think Jon and his stories make any sense and she'd rather he just go play by himself and not bother her.

Jon's 9th birthday is tomorrow and he dreams of a brand new train set and his mother to bake him a cake. Vibeke doesn't even remember it's his birthday.

Jon has tickets to sell for his Sports Club and leaves the house unbeknownst to Vibeke. Vibeke meanwhile has decided to get herself all prettied up to head to the library.

As she leaves the house she calls out to Jon not waiting for a response and not realizing he isn't even in the house.

We then follow both Vibeke and Jon as they make their way through the night and the strangers they encounter.

Both of them are overly trusting. An atmosphere of dread prevails through out the entire novel. I'm not so sure what to make of the ending.

It allows the reader to draw their own conclusion. Sadly, what I took away from it was truly heartbreaking. I want nothing more than to give my son the biggest hug right now.

Just to note, the way the story is presented can be confusing at first. One paragraph to the next we're either inside Vibeke or Jon's head without anything to distinguish the change which took me a bit to get used to.

Verbeke, a single mom, and Jon, her eight-year-old, have recently moved to a new town in Norway, and are feeling their way into new lives.

Verbeke and Jon are like two ships passing in the night. She is preoccupied by her new job, finding a man, finding clothes that fit sexily.

They each go off into that night; they each meet new people. The reader is on the edge of her seat, feeling a vague sense of dread: Where is—what is—the danger that permeates this fateful night in the lives of Verbeke and Jon?

The echoes reverberating between their points of view skew the unease into a rich, ominous blur. My BookTube video review: A self-absorbed mother paints her nails and pursues a mildly interested carny while ignoring and neglecting her 9 year old son.

The boy roams around town in the middle of the night in a disturbing series of random events. This is an eerie tale of view spoiler [almost hide spoiler ] disaster.

A carny, a white wig, a nightclub, ice skates, snow snow snow. The tension grew and then I wondered, was it all a dream?

I was thus very much looking forward to reading another of Orstavik's novellas, Love. It is set in the north of Norway, but aside from excessive snow, there was actually relatively little Norwegian culture included, which was a real shame.

The novella is involved in the minutiae of life, and not a great deal of plot exists within it; rather, Love is more of a character st I really enjoyed Hanne Orstavik's The Blue Room , published a few years ago by Peirene Press in its first English translation.

The novella is involved in the minutiae of life, and not a great deal of plot exists within it; rather, Love is more of a character study.

I liked the way in which Love was told, with the stories of both mother and son being chopped at intervals and told simultaneously. I found myself engaged and interested, but could only award it three stars overall as it really felt as though it was building towards a conclusion which never came.

There was a visible tension in Orstavik's prose as it continued, but it tapered off into nothingness; the something momentous which it was building up to never reached that point in actuality.

Love was therefore a little disappointing to me, but I still look forward to seeing which of Orstavik's books will be translated into English next.

It was translated by Martin Aitken. Hopefully more of her books will be published in the future. Love follows the nocturnal wanderings of mother and son, Vibeke and Jon, over one night in their lives.

Vibeke is a single mother who has recently moved to town with her eight year old son, Jon. Vibeke works as an Arts and Culture Officer in a local authority and she likes reading, getting through at least three books a week.

The whole book is told from both Vibeke's and Jon's perspective, flitting back and forth, so that we get to experience their thoughts and actions concurrently.

It's an highly effective technique. The story begins with Vibeke returning from work on the eve of Jon's ninth birthday.

Here's an example of Jon's thoughts as he waits for his mother to return from work: The sound of the car. When he's waiting he can never quite recall it.

I've forgotten, he tells himself. But then it comes back to him, often in pauses between the waiting, after he's stopped thinking about it.

And then she comes, and he recognizes the sound in an instant; he hears it with his tummy, it's my tummy that remembers the sound, not me, he thinks to himself.

And no sooner has he heard the car than he sees it too, from the corner of the window, her blue car coming round the bend behind the banks of snow, and she turns in at the house and drives up the little slope to the front door.

We realise early on that Jon is used to being by himself, he's introspective and has an active imagination and curiosity about the world around him.

Jon also has trouble with blinking as his eye muscles start to spasm at random moments. It's difficult not to feel some affection for the boy.

When Vibeke returns she is thinking of her new job and getting a meal ready for the two of them. Even when they're eating there is little interaction between themselves, they seem to be quite isolated in their thoughts.

Jon thinks of school, the neighbours, his birthday the following day whilst Vibeke thinks of work, clothes she wants to buy and books she's reading.

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